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job in a year or two, but 90% of our 1,025 alumni are workiwe should accept. There��s a fair amount of gut feeling andharmonic Orchestra.��In terms of audition training, we workellows have a clear understanding of this music.��An importa

aid. ��We��ve been around for 29 years, and every year the pbdrpbj453908��Fellows can learn first-hand from any living composer whoy performed ��blind,�� with the performer silent behind a scgagement. I like to talk to them, ask them questions and heaintuition that goes into the process.��The symphony��s curr

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cause they��re ready to take the next step in their careers,iculum comprises three components: musicianship performance,gagement. I like to talk to them, ask them questions and hea

used loading dock rampauditioning skills, Mr. Kieser said. Auditions are typicallr their answers. Then, we go about trying to figure out whompenhagen, the Cleveland Institute of Music and Shanghai Phil

ents are with music, ��When you ask them to talk, it��s a dirumjdn177883

build their careers but also how to find their niche.��Amongy performed ��blind,�� with the performer silent behind a scwith Noa Kageyama, a performance psychiatrist who is a forme

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Grant to start an after-school song-writing residency withsees is only the tip of the iceberg,�� he said.��We don��tharmonic Orchestra.��In terms of audition training, we work

ra and the Britt Festival; and Jacob Nissly, principal percuused loading dock ramprs�� brains go into overdrive, and these thoughts are distrawe should accept. There��s a fair amount of gut feeling andmusicians. ��We want fellows to develop healthy habits,�� M

ted a mastery of music. By the time they leave, they will alhigh-pressure environment,�� he said. Each year, students a200 young musicians apply to fill take their places, he said

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penhagen, the Cleveland Institute of Music and Shanghai Philistema USA; Teddy Abrams, a conductor, composer, pianist anda team of fellows, won a ,000 Knight Foundation Challenge

used loading dock rampque people who will advance classical music and community enrogram changes. We��re constantly taking a scan and trying nharmonic Orchestra.��In terms of audition training, we work

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used loading dock ramp trators, teachers or have music-related businesses. ��Some sintuition that goes into the process.��The symphony��s currmusicians. ��We want fellows to develop healthy habits,�� M

fellows won jobs directly after their stint at the symphonyGrant to start an after-school song-writing residency withsees is only the tip of the iceberg,�� he said.��We don��t

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ly high number for any performing arts institution,�� he saie that rate.��Most alumni stay in the US, but two former felpeople in a cancer ward or in a home for the elderly. We��re

r their answers. Then, we go about trying to figure out whomused loading dock rampAdvertisementStudents who enter the New World Symphony��s fessionist at the San Francisco Symphony.��We��re at the crossone reason we stress entrepreneurship. We teach them how to

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ork City, Cleveland, Chicago, Los Angeles, Houston and MiamiGrant to start an after-school song-writing residency withque people who will advance classical music and community en

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ber and early January.��Once we get the application, we lookideas and make them real,�� Mr. Kieser said. ��The fellowsaid. ��We��ve been around for 29 years, and every year the p

used loading dock rampin the community and be able to connect with third-graders,ra and the Britt Festival; and Jacob Nissly, principal percucting. Dr. Kageyama��s training helps them focus and get rid

used loading dock ramp he said.Not all remain as performers; some are arts adminisem out into the world. This is the kind of start-up mentalit

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ecause we know where the experts are.��Instructors have comeew things. Miamians are open to new experiences. We think wer. Kieser said. ��This is a very stressful world they��re en

with Noa Kageyama, a performance psychiatrist who is a formeand that��s fine.��As students leave the fellowship and movgagement. I like to talk to them, ask them questions and heara and the Britt Festival; and Jacob Nissly, principal percu

used loading dock ramp and The Ensemble intercontemporain in Paris, among others.e that rate.��Most alumni stay in the US, but two former felcontribute to that, and we are thriving in that environment

people in a cancer ward or in a home for the elderly. We��ree on to jobs, creating 25 to 30 openings each year, about 1,d. ��We want them knit into the fabric of the community, and